SEEKING
Band to Join, Vocalist, Rhythm Guitar, Acoustic Guitar, Other Percussion, Violin, Keyboard, Background Singer, Other, Fiddle, Dobro, Upright bass, Ukulele.ABOUT
rufusgpoindexter@ (contact me on this address)
I am a Producer/engineer i Have RECORDING STUDIO IN THE WEST END OF GLASGOW
I AM LOOKING FOR ACOUSTIC GUITAR PLAYERS WHO ARE INTO FINGERSTYLE TAPPING PERCUSSIVE PLAYING
**************also any vocalists looking to try something different**************
A bit r'n'b a bit soul a bit country whatever is needed
I have about 50 tracks written or being worked on as well as some interesting covers
Why not drop me a line and see what happens?
https://youtu.be/ORJ9kURmO-s
- Screen name:
- R G POINDEXTER
- Member since:
- Nov 20 2011
- Active within 24 hours
- Level of commitment:
- Committed
- Years playing music:
- 30
- Gigs played:
- Over 100
- Tend to practice:
- More than 3 times per week
- Available to gig:
- 4-5 nights a week
- Most available:
- Nights
Influences
DAVID BOWIE TODD RUNDGREN MASSIVE ATTACK Scott Matthews GOrillaz
Antoine Dufour,Andy McKee Robert Fripp King Crimson
Pheonix Wire Bauhaus the furs dj shadow Goldie green velvet
LOADS OF STUFF ENO PUNK METAL ACOUSTIC soundtracks
Instrument experience:
- Rhythm Guitar:
- Expert
- Lead Guitar:
- Expert
- Electronic Music:
- Advanced
- Acoustic Guitar:
- Advanced
- Keyboard:
- Moderate
- Bass Guitar:
- Moderate
- Drums:
- Intermediate
- Piano:
- Intermediate
- Background Singer:
- Intermediate
- Banjo:
- Intermediate
- Dobro:
- Intermediate
EQUIPMENT
PROFESSIONAL RECORDING EQUIPMENT
Mics Amps FX Instruments Computers..........
ALL THE USUAL STUFF
MUSIC
-
Ain`t No Mashup
Ain`t No MashupReggae track by RGP featuring Drew Fitzgerald on Saxophone
-
Meat In The Latrine
Meat In The Latrineacoustic
-
Forgetting Me
Forgetting Mean oldie
-
Barri
Barriacoustic slap bass : )
-
Mother of pearl
Mother of pearla wee idea
-
Sputnik
Sputnikthis was for a movie that never existed
-
Moon Tron
Moon Tron
-
Hobo Waltz
Hobo Waltzinstrumental demo
-
Django Nuages
Django Nuagesmoody interpretation of the classic track